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All the music she likes sounds like it was created by mentally ill retards during playtime at their “special” school.

You ARE aware that your opinion and my opinion is what we call “different tastes in music” right? The way you feel about “metal” and rock is the way I feel about Rap, R & B, Female Vocalists, Country, Pop, and any faggy Emo stuff. To me it’s all horrible trash that makes my brain want to explode.

I also realize that it’s sort of unusual for a woman who is NOT a scary metalhead to have a love for those sorts of bands, but you also should realize that what most often determines my “love” or “hate” or songs/genre is the LYRICS. I love the lyrics to most Tool, Deftones, Taproot, A Perfect Circle, Rammstein, Coal Chamber, Chimaira, NIN, Rage Against The Machine, etc and that’s why I love the bands so much. I don’t identify with any of the lyrics in rap, love songs, country, blues, pop, or the other stuff and that’s why I hate it so much.

Besides, I like a lot of things OTHER than metal and we have all discussed it here……but you seem to want to only focus on the more “metal” of bands.

And btw, Tool has sold over 13 million records worldwide. Maynard is a multi-platinum artist. It’s definitely not just ME and Tupac. After forming in 1990, Tool has won 3 Grammys and is noted for having similar sounds and styles as:



Tool was described by Patrick Donovan of The Age as “the thinking person’s metal band. Cerebral and visceral, soft and heavy, melodic and abrasive, tender and brutal, familiar and strange, western and eastern, beautiful and ugly, taut yet sprawling and epic, they are a tangle of contradictions.”[66] Tool has gained critical praise from the International Herald Tribune’s C.B. Liddell for their complex and ever-evolving sound.[85] Describing their general sound, Allmusic refers to them as “grinding, post-Jane’s Addiction heavy metal”,[45] and The New York Times sees similarities to “Led Zeppelin’s heaving, battering guitar riffs and Middle Eastern modes”.[86] Their 2001 work Lateralus was compared by Allmusic to Pink Floyd’s Meddle (1971), but thirty years later and altered by “Tool’s impulse to cram every inch of infinity with hard guitar meat and absolute dread”.[53

Also Willard, check this out: Tool Official Site